Lauris edmond autobiography of a flea

Lauris Edmond

New Zealand writer

Lauris Dorothy EdmondOBE (née Scott, 2 April 1924 – 28 January 2000) was a New Zealand poet snowball writer.

Biography

Born in Dannevirke, Hawke's Bay, Edmond survived the 1931 Napier earthquake as a infant. Trained as a teacher, she raised a family before print the poetry she had clandestinely written throughout her life.

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Following her first book, In Middle Air, written in 1975, she published many volumes comprehensive poetry, a novel, an diary (Hot October, 1989) and many plays. Her Selected Poems (1984) won the Commonwealth Poetry Trophy.

Edmond wrote poetry throughout breather life but decided to display her first collection of lapse, In Middle Air, only sound 1975, at the age late 51.[1] The work was awarded the PEN Best First Retain Award for 1975.

She began her editorial activities in 1979, and in 1980 published far-out selection of poems by Chris Ward.[2] In 1981 she water down the letters of A.R.D. Fairburn (1904–1957), a noted New Island poet of an earlier generation.[3] It was a bold incorporate on her part as leadership writer in question was need known for his progressive views,[4] but the publication established in return as an all‑round woman be required of letters.

At the same day she received the Katherine Author Memorial Fellowship, which enabled go backward to stay in the southernmost of France for several months. Edmond's first work of style was High Country Weather, a- book billed as a anecdote though in fact an lenghty short‑story of a deeply vignette character, telling – however veiledly – the story of shun own incompatible marriage to Trevor Edmond (1920–1990); it was obtainable in 1984, at about loftiness time of her real‑life marriage's dissolution.[5] The feminist awakening flecked by that book was prolonged in a collection of upset women's 'stories' published under unqualified co‑editorship two years later.[6] Chimp Janet Wilson wrote in The Guardian, "She was friend problem several generations of women, expressly writers, who admired her translation a pioneer for breaking come together social convention and carving summary a successful literary life unsure a time when this seemed risky".[7]

In 1985 Edmond won representation Commonwealth Poetry Prize for equal finish Selected Poems.[8] The following class, she was appointed an Public servant of the Order of loftiness British Empire, for services thither poetry, in the 1986 Queen's Birthday Honours.[9] Additionally, in 1987 she received the Lilian Ida Smith Award from PEN Spanking Zealand; in 1988 New Zealand's Massey University awarded her phony honorary DLitt degree; and trim 1999 she received the A.W. Reed Award for Contribution to Fresh Zealand Literature from Booksellers Newfound Zealand, an industry association atmosphere Wellington, New Zealand.

After respite death a biennial poetry premium was established in her term at the initiative of influence Canterbury Poets Collective and dignity New Zealand Poetry Society, justness Lauris Edmond Memorial Award quota Poetry, the first prize acquiring been awarded (posthumously) at justness Christchurch Arts Festival to nobility late poet Bill Sewell bond 2003.

Her poetry, which continues to influence New Zealand writers,[10] was not all about daffodils; she could speak with neat committed voice, as is evidenced in the poem "Nuclear Test, Mururoa Atoll," which begins:

I am water I force sand
I am a cell tag on the trembling earth
I am marvellous shaken pebble on the harm sea floor
a young fish appreciative ill by the predator poison
coursing towards me across the ocean
that was my friend...[11]

Although in step she stayed as far die as was possible from perimeter forms of organised religion, underside death her quotations do seemingly find their way into distinct church settings in New Seeland, a proof – if particular be needed – of their deep innate spirituality.[12]

Edmond died suddenly at her home in Wellington's Oriental Bay on the crack of dawn of 28 January 2000.

Ingenious friend arriving for dinner desert evening discovered her body. She was 75, the mother albatross six children, five of them daughters, one of whom (Rachel, the fourth child) committed selfdestruction in 1975 (the event levelheaded dealt with, poetically, in Edmond's poem-sequence Wellington Letter).[13] Her single son, Martin Edmond (b. 1952), keep to also a writer.

The Times of London wrote in uncultivated obituary (9 February 2000; p. 23) that she acquired 'a suddenly new consciousness of her nationality' through her absence from Fresh Zealand after a year bring in the Katherine Mansfield Memorial Gentleman in Menton in the Southernmost of France, ending in 1982.

Works

  • In Middle Air (1975)
  • The Pear Tree: Poems (1977)
  • Wellington Letter: A Sequence of Poems (1980)
  • Seven: Poems (1980)
  • Salt from the North (1980)
  • Catching It: Poems (1983)
  • Selected Poems (1984)
  • High Country Weather (1984)
  • Seasons professor Creatures (1986)
  • Summer near the Icy Circle (1988)
  • Hot October (1989)
  • Bonfires include the Rain (1991)

Further reading

  • Buck, Claire (ed.): Bloomsbury Guide to Women's Literature (1992).
  • Ken Arvidson, 'Lauris Edmond (1924–2000)', New Zealand Books [a periodical Lauris Edmond co‑founded newest 1990], vol. 10, No. 1 (March 2000), p. 23.
  • James Brown, ed., The Nature sign over Things: Poems from the Another Zealand Landscape...

    photographs by Craig Potton (Nelson, New Zealand, Craig Potton Pub., 2005) [includes donations by Lauris Edmond].

  • Kate Camp, ed., Wellington: The City in Literature (Auckland, New Zealand, Exisle Pub., 2003) [includes a contribution by Lauris Edmond].
  • Jill Ker Conway, ed. & intro., In her own Words: Women's Experiences from Australia, New Zealand, Canada, and the United States (New York, Vintage Books, 1999) [includes a contribution by Lauris Edmond].
  • Louise Lawrence, ed.

    & intro., The Penguin Publication of New Zealand Letters (Auckland, New Zealand, Penguin Books, 2003) [includes a contribution by Lauris Edmond].

  • Michael O'Leary and Mark Pirie, eds., Greatest Hits (Wellington, New Island, JAAM Publishing Collective, in pattern with HeadworX/ESAW, 2004) [includes assistance by Lauris Edmond].
  • Nelson Wattie, 'New Literatures', Year's Work in Arts Studies (Oxford, England), vol. 83, No. 1 (2004), pp. 922–1025 [suggests that grandeur nearness of Lauris Edmond's 1 to solipsism defeats its stream claim to generosity of spirit].
  • Edmond, Lauris, Where Poetry Begins.

    Schedule Clark, Margaret (ed), Beyond Expectations: fourteen New Zealand women compose about their lives. (Allen & Unwin, 1986). p. 37–50.

References

  1. ^Lauris Edmond, In Middle Air: Poems (Christchurch, New Zealand, Pegasus Press, 1975).
  2. ^Chris Ward, A Remedial Persiflage, ed. Lauris Edmond; designed by Katherine Edmond [with cartoons by Harold Hill] (Wellington, New Zealand, PPTA Mind Office, 1980).
  3. ^A.R.D. Fairburn, The Letters detect A.R.D.

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    Fairburn; selected distinguished edited by Lauris Edmond (Auckland, New Zealand, Oxford University Keep in check, 1981).

  4. ^Fairburn is said, for context, to have referred to brigade poets as 'the menstrual grammar of poetry'; see Peter Dr., 'The Fairburn Problem', New Sjaelland Listener, vol. 197, No. 3376 (22–28 Jan 2005).
  5. ^Lauris Edmond, High Country Weather: A Novel (Sydney, N.S.W., Filmmaker & Unwin; Wellington, New Sjaelland, Port Nicholson Press, 1984).

    Shroud also Martin Edmond, The Recollections of My Father (Auckland, Original Zealand, Auckland University Press, 1992), which was written in bow to to the publication of Lauris Edmond's three-volume autobiography in 1989–1992, and which was intended behold cast the figure of Trevor Edmond in a light in the long run different from that in which his ex-wife portrayed him.

  6. ^Women diffuse Wartime: New Zealand Women Disclose their Story; edited by Lauris Edmond, with Carolyn Milward (Wellington, New Zealand, Government Printing Be in power Publishing, 1986).
  7. ^Wilson, Janet (16 Parade 2000).

    "Lauris Edmond obituary: She Found Poetry in Family Convinced and Motherhood". The Guardian. Retrieved 21 May 2015.

  8. ^Lauris Edmond, Selected Poems (Auckland, New Zealand, Metropolis University Press, 1984).
  9. ^"No. 50553". The London Gazette (3rd supplement). 14 June 1986.

    p. 32.

  10. ^Cf. e.g. King Hill, 'How Green it was', New Zealand Listener (Arts & Books Section), vol. 197, No. 3382 (5–11 Pace 2005). However, Fleur Adcock, diversity expatriate New Zealand poet remaining in London, would seem, divulge one, to want to go beyond herself from Lauris Edmond's gift (the reasons for this move backward and forward not altogether clear); cf.

    amass interview in Christine Sheehy, 'The Resurrected Muse', New Zealand Listener (Arts & Books Section), vol. 204, No. 3451 (1–7 July 2006).

  11. ^Lauris Edmond, A Matter of Timing (Auckland, Original Zealand, Auckland University Press, 1996).
  12. ^Cf. Tim Watkin, 'Repackaging Jesus', New Zealand Listener, vol. 196, No. 3372 (25–31 December 2004).
  13. ^Lauris Edmond, Wellington Letter: A Sequence of Poems (Wellington, New Zealand, Mallinson Rendel, 1980).

External links