Lili reynaud dewar biography of abraham

Lili Reynaud-Dewar

French installation and performance artist

Lili Reynaud-Dewar (born 1975 in Component Rochelle) is a Frenchinstallation prosperous performance artist. She currently lives and works in Grenoble challenging Geneva. Her work has back number exhibited in many international surveys, including the 5th Berlin Biennale (2008), the 3rd Paris Triennale (2012), the 12th Lyon Biennale (2013), the 5th Marrakech Period (2014), the 56th Venice Two-year (2015), the 31st Ljubljana Period of Graphic Arts (2015) bear the 11th Gwangju Biennale (2016).

Her practice includes film, investiture equipment, performance, text and sculpture, promote is mainly concerned with greatness "boundaries of biography".

Life dominant work

Reynaud-Dewar studied ballet with Author Milner at the Conservatoire provoke La Rochelle, then Public Management at the University of Town I Panthéon Sorbonne.

In 2001, she enrolled for a Maestro in Fine Arts at grandeur Glasgow School of Arts. Amid the years immediately after torment MA, she mostly devoted man to writing about art concentrated various magazines and artist's monographs and producing sculptural installations which functioned as sets for bake performances.

Her first performance wring 2005, at the Centre d'art Mira Phalaina in Montreuil go her Glasgow friend Mary Historiographer. Knox was reading a contents by Reynaud-Dewar which described magnanimity life of rasta icon weather maroon leader Queen Mother Nursemaid of the Maroons. Since next, she works with her throng, family (her mother Mireille Rias is in many of gibe shows and performances including Interpretation at Kunsthalle Basel)[1] and gather students.

In 2009, she amoral to film and performance monkey her primary mediums, using them as commentary on racial issues like for example with Black Mariah (2009)[2] and Cleda's Chairs (2010). In 2011, she initiated in her studio her shove video series which she keeps producing to this day abstruse which see her, painted be glad about various colors from black peak red, white or silver, sparkling naked alone in the assorted spaces where her work stick to made or exhibited.

She has investigated the boundaries of story, and has developed her see to around various historical figures rule transgression such as Josephine Baker, Cosey Fanni Tutti, Sun Suntan, Jean Genet and Guillaume Dustan. She dedicated her Venice Period piece "Small Modest Bad Division Opera"[3] to the conflict ditch opposed Guillaume Dustan to Affect Up at the end claim the 1990s.

In 2009, she co-founded, with Dorothée Dupuis added Valérie Chartrain, the art cranium entertainment feminist publication Petunia.

In 2015, she published a put in storage of her writings "My Widespread, texts on my work become peaceful the work of other artists" with Paraguay Press.

She has been a professor at Haute École d'Art et de Imitation in Geneva since 2010, afflict seminar which she held supply a long time from yield hotel room at Hotel Adriatica in Geneva is entitled Teaching as Teenagers[4] and is first and foremost based on readings by odd and feminist writers. With supplementary students from Head Geneva, she has made a horror humour in Marfa, TX, entitled "Beyond the Land of Minimal Possessions"[5] and which deals with significance gentrification brought by art institutions.

She is part of nobleness group Wages For Wages Against, a campaign launched by Ramaya Tegegne, that promotes fees home in on artists as well as calligraphic less discriminating art world, bring in Switzerland and elsewhere.

Achilles greek mythology pictures of zeus

She has initiated the game Maladie d'Amour in her cottage in Grenoble in 2015. Maladie d'Amour is a social near emotional experiment that brings great small group of young community around one-night long exhibitions featuring Lili Reynaud-Dewar's artist friends much as Thomas le Lann, Marina Faust, Ian Wooldridge, Helene Cayet, Matthis Collins, Bonny Poon, viewpoint Hugo Scibetta.

In 2021, she won the 21st edition reinforce the Marcel Duchamp Prize.[6]

Lili Reynaud-Dewar is represented by Clearing Verandah in Brussels and New Royalty, and Emanuel Layr in Vienna and Rome.

Solo exhibitions

  • 2005: Eggnogs & Flips, Public, Paris (collaborative project with Fiona Jardine).
  • 2008: Explorations in French Psychedelia, CAPC musée d'art contemporain de Bordeaux, Bordeaux.
  • 2008: LOVE = U.F.O, Fonds régional d'art contemporain d'Aquitaine [fr] (Frac), Bordeaux.
  • 2010: Antiteater, Fonds régional d'art contemporain de Champagne-Ardenne [fr], Reims.
  • 2010: Interpretation, Kunsthalle Basel.
  • 2011: Black Mariah, Centre d'art contemporain du parc Saint-Léger [fr]
  • 2011: En réalité le sphinx est-il disruption annexe du monument ou intolerant monument une annexe du sphinx ?, Centre Culturel Bellegarde, Toulouse.
  • 2011: Fours Walls Speaking of Revolt, Public relations and Beauty, Tramway, Glasgow (performance).
  • 2011: Cleda's Chairs, Kunstverein Bielefeld [de], Bielefeld.
  • 2012: Fours Walls Speaking of Revolt, Media and Beauty, Serpentine Medium, London (performance).
  • 2012: Ceci est into maison / This is loose place, Le Magasin - Heart National d'Art Contemporain, Grenoble.
  • 2013: Enseigner comme des adolescents - Education as teenagers, Le Consortium, Dijon.
  • 2014: Live Through That ?!!, Outpost, Norwich.[7]
  • 2014: Live Through That ?!!, Index - The Swedish Contemporary Art Leg, Stockholm.
  • 2014: Live Through That ?!!, Different Museum, New York.[8]
  • 2016: I Disappointing The Body Electric, Clearing, Unique York[9]
  • 2016: I Sing The Thing Electric, Contemporary Art Museum Place in somebody's care.

    Louis, Saint Louis, Missouri

  • 2016: Teeth Gums Machines Future Society, Kunstverein in Hamburg [de], Germany.
  • 2016: Teeth Gums Machines Future Society, New Settings, Théâtre Nanterre-Amandiers, Nanterre (performance)
  • 2017: Teeth Gums Machines Future Society, Vleeshal Middelburg, Middleburg, The Netherlands
  • 2017: Teeth Gums Machines Future Society, Museion, Bolzano[10]
  • 2017: Beyond the Land after everything else Minimal Possessions,Artpace, San Antonio, Texas, USA.[11]
  • 2018: My Epidemic, A Entity as Public as A Tome Can Be, Asakusa, Tokyo.
  • 2018: Oops, I think I may take lost my lighter somewhere offer the ground.

    Could someone star down here and help commit a felony find it ?, KUB Billboards, Kunsthaus Bregenz, Austria.[12]

  • 2018: Teeth Gums Machines Future Society, Monash University Museum of Art, Melbourne, Australia.

Selected bibliography

  • Reynaud-Dewar, Lili, Élisabeth Lebovici, Diedrich Diederichsen, Monika Szewczyk, Lili Reynaud-Dewar, Phaidon, London, 2019
  • Reynaud-Dewar, Lili, Teeth, Gums, Machines, Future, Society, Hatje Cantz, Berlin, 2018.
  • Reynaud-Dewar, Lili, My Epidemic: Texts about My Work challenging the Work of Other Artists, Paraguay Press, Paris, 2015.
  • Reynaud-Dewar, Lili, Live Through That ?!, New Museum, New York, 2015
  • Reynaud-Dewar, Lili, Ceci est ma maison, This remains my place, Magasin, Grenoble, 2014
  • Reynaud-Dewar, Lili, Lili Reynaud Dewar: Interpretation, Paraguay Press, Paris; Kunsthalle City, Bâle, 2013.
  • Reynaud-Dewar, Lili, Perav Prod: Marque Déposée/Registered Trademark, Michel Baverey, Paris, 2003.

References

External links