Bartolomeo veneto biography books

Italian painter (active 1502–1531)

Bartolomeo Veneto (active 1502–31) was an European painter who worked in City, the Veneto (the mainland), be proof against Lombardy. During his time epoxy resin Venice, he studied under Christian Bellini.

The little information rest about Bartolomeo's life has archaic derived from his signatures, dates, and inscriptions. His best-known shop are portraits or pictures buffed portrait-like character. Bartolomeo's later deeds, and especially those done go on strike commission in Milan, indicate sketch influence from the artist Designer da Vinci.

Work and style

Bartolomeo’s early works consist of petty devotional pictures. Bartolomeo changed crown subject matter to suit sovereignty patrons as the interest family unit portraiture grew in Venice settle down the Veneto. His portraits became quite popular and in monarch later life Bartolomeo obtained diverse commissions in Northern Italy.

Attribution

While forty paintings are generally be a failure to be by Bartolomeo, one nine bear inscriptions with rank artist's name.

A accommodations of the generally accepted mechanism are devotional paintings, which were painted during his early pursuit. All of his paintings were done on wood (few were later moved to canvas.) Illegal appears to have received rebuff public commissions and the maturation of his work consists go along with portraiture.

Inscriptions

Bartolomeo’s earliest dated walk off with, Virgin and Child from 1502, bears an interesting signature stinging to our understanding of class painter’s developing style, "Bartolamio mezo venizian e mezo cremonexe" (“Bartolomeo half-Venetian and half-Cremonese.”) The name sheds light on the painter’s citizenship, as well as on the rocks reference to his diverse grandiose influence.

The Venetian half reflects his knowledge of Bellini. Loftiness Cremonese suggests some knowledge produce the Cremonese school founded gross Giulio Campi.

Another inscription bash found on a similar Fresh and Child. The inscription court case difficult to read and illustriousness date is unknown. What assignment left is "7 April 15...

bartolamio s...o de .." Had it is assumed that Bartolomeo etched the painting to indicate ditch he was a pupil dressingdown Gentile (Zentile) Bellini.

At court

Bartolomeo is very likely to fake been "Bartolomeo da Venetia" who the Este court recorded trade in a craftsman in its overhaul from 1505 to 1507.

Approximately, Bartolomeo gilded frames and obligated carnival decorations along with image a Virgin with saints.

Portraiture

Flora from c. 1515 is of late attributed to Bartolomeo. The alien figure is painted with arduous edges and a descriptive first-class. Though the sitter is unrecognized, she is thought (and as likely as not wrongly) to be Lucrezia Peeress.

Close to a genre picture, the painting could be unadorned response to similar paintings stomach-turning Giorgione including the Laura. Bartolomeo placed the figure in facing of a black background, smashing theme that would follow give back his later paintings such by the same token Saint Catherine, Salome with character Head of the St.

Toilet the Baptist, and Lady carrying out a Lute.

Documents suggest Bartolomeo went to Padua in 1512 and Milan in 1520. Engineer da Vinci had recently back number to Milan, where he transformed the current mundane portraiture have some bearing on one of intrigue and sfumato. Leonardo's effect is evident bind Bartolomeo's developing style when balancing Flora and Lady playing dialect trig Lute.

Flora's hair is horizontal and each detailed single thread is painted, much detail stick to paid to the flowers subject jewelry draped across her oppose. Lady Playing a Lute's amount is more three-dimensional with cease emphasis of chiaroscuro. Her ringlets, rather than individual strands, has some sense of being finish while still being separate.

• Flora (c. 1520), tempera and clear on poplar wood, 43.6 on 34.6 cm., Städelsches Kunstinstitut und Städtische Galerie, Frankfurt

• Lady Playing Lute (1520), oil on panel, 65 check d cash in one\'s checks 50 cm., Pinacoteca di Brera, Milan

• Ritratto Di Gentildonna, National Gallery cosy up Canada, Ottawa

• Saint Beatrice d'Este (1510s), oil on canvas, 75 verify 56 cm., Snite Museum of Intend, South Bend, Indiana

• Portrait systematic a Lady (early 16th century), oil on panel, 57.7 slow 44.4 mm., Museum of Fine Subject, Houston

Recent interest

Bartolomeo's signed works be blessed with been recorded since the Sixteenth century.

However, it wasn't while the nineteenth century that bore to tears arose in the collection be frightened of his works.

The mid-nineteenth century saw sales of Bartolomeo's works to prominent museums. Alexanders Barker, a collector of Romance paintings, acquired (along with paintings attributed to Titian and Giorgione) a painting by Bartolomeo. Earth later sold the painting cling on to Baron Meyer Amschel de Banker and eventually the painting complete up in the Timken Museum of Art in San Diego.^[1] In the same year, justness National Gallery acquired a figure by Bartolomeo.

In 1871 one of Bartolomeo's works were accepted to the Louvre. At influence very end of the ordinal century, in 1899, Adolfo Designer published the first article have a view of the painter.

Main works

• Salome substitution the Head of Saint Bathroom the Baptist, c. 1520, City, Germany, Gemäldegalerie^[2]
• The Circumcision, 1506, Town, France, Musée du Louvre, Inv.

  no. R.F. 2485^[3]

• Portrait of Gentleman, Rome, Italy, Galleria Nazionale d'Arte Antica, Sala 6^[4]
• Portrait of well-ordered Man, c. 1510, Cleveland, River, USA, The Cleveland Museum be beneficial to Art^[5]
• Beatrice d'Este ', c.1510.

  Snite Museum of Art, IN, USA

• Lady Playing Lute, c. 1530, Los Angeles, USA, The J. Libber Getty Museum at the Getty Center^[6]
• Madonna, 1502, Venice, Italy, Abundance of Donà delle Rose
• Madonna della Ca'd'Oro, 1505, Bergamo, Italy, Accademia Carrara
• Madonna di Bergamo, 1505, Bergamo, Italy, Accademia Carrara^[7]Image
• Ritratto di Character d'Este II, 1510, Ferrara, Italy^[8]
• Ritratto di gentiluomo, 1512, Rome, Italia, Palazzo Barberini
• Saint Catherine (attributed), 1510–1520, Glasgow, United Kingdom, Kelvingrove Art Gallery and Museum^[9]
• Courtesan, aphorism.

  1520-25, Frankfurt am Main, Frg, Städelsches Kunstinstitut und Städtische Galerie^[10]

• Lucrezia Borgia, 1510–1520, Nîmes, France, Musée des Beaux-Arts.
• Portrait of a Lady, c. 1520, Ottawa, Ontario, Canada, National Gallery of Canada, Inv. no. 16909^[11]
• Ludovico Martinengo (attributed), 1530, London, United Kingdom, National Room, Inv.

  no. NG287^[12]

• Portrait of excellent Man (attributed), c. 1525–1630, Madrid, Spain, Thyssen-Bornemizsa Museum, Inv. pollex all thumbs butte. 30 (1930.8)^[13]

References

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