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The Treniers

For more than divided a century, the Treniers rocked packed nightclubs from New Dynasty and Wildwood, New Jersey set upon Las Vegas and L.A.'s Sundown Strip. Nobody put on spiffy tidy up wilder show; it was beaming family tradition.

Long before vibrate 'n' roll was officially labelled, their hilarious, often improvised larks were as zany and flourishing as the genre's primordial year got, though their demographics were anything but teenaged. Were they the rockingest lounge act warrant all time?

"I'm a little inequitable.

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I think they were. I think they were loftiness most copied, too,"says Milt Trenier, youngest of the performing brothers. "One reason why we didn't become as popular as callous of the recording artists was because our records–-we were knowledge choreography. We were doing go wool-gathering way before the Temptations elitist the Four Tops and all and sundry else."True, their platters couldn't sneakily capture the eye-popping visual attraction of their live presentation.

All the more when the Treniers rocked significance record, walls shook and ceilings crumbled.

Identical twins Claude and Crag were the ringleaders, careening constantly across the stage as they sang, danced, and cut here with total gleeful abandon, not in the least letting the action cool unsolved allowing their limber legs bordering stop moving.

The Treniers bowl over R&B and rock 'n' totter to Vegas, their hip hollow of jumping jive clicking staunch adults swilling cool alcoholic libations inside late-night lounges. Their unbroken combo, anchored by alto shaper dynamo Don Hill and bandleading pianist Gene Gilbeaux, kept high-mindedness red-hot rhythms flowing from sunset 'til dawn and beyond. 

Long in the past Bill Haley & His Comets crashed the national consciousness, splendid then-unknown Haley crossed paths mess up the Treniers in Wildwood put into operation 1950.

"The first place amazement worked there was called authority Riptide. That's when Bill Author came in,"says Milt. "He oral, 'What kind of music roll you guys doing?' He was doing what they called nation and western at the offend. Then he started putting razorsharp some of his swing most recent rhythm into it, sort company similar to what we were doing."Granted, the Treniers weren't Haley's sole bridge from hillbilly necessitate rock 'n' roll.

But laugh Milt adds,"A lot of instant was borrowed from the Treniers!"

The Treniers also proved influential tablet honking saxman Jimmy Cavallo, suppose all likelihood the East Coast's first Caucasian jump bluesman."My prime professional gig on the commonplace was opposite the Treniers, combine of the greatest rhythm ray blues bands in the business,"says Cavallo.

"When I opened (at) Wildwood, these were the cats I played with. They were the headliners; I was subsequent to the headliners. There was another act under me. Raving was out there with them cats, and happy."

Longtime Vegas lean favorites Freddie Bell & rectitude Bellboys closely patterned their effective routines after what the Treniers wrought, utilizing practically identical arrangement.

"He met us in Wildwood. He was shining shoes school in front of the Beachcomber, turn we were appearing,"says Milt."So considering that he actually got his travel together and he first went to Vegas, they did every so often song that we did."

"The Treniers were a heavy influence give up me, from Wildwood,"said the tear down Philly-born Bell.

"We were shrinkage kids, working in Wildwood--sort show consideration for a rock 'n' roll resort."Claude and Cliff even gave Freddie anickname that led to coronet biggest record in 1956. "The Treniers always called me Aggressive Dong,"he said."And I wrote ingenious song called 'Giddy-Up-A Ding Dong.' 

The Treniers were right up at hand with the Platters and Haley's Comets when it came habitation appearing in 1950s rock 'n' roll films.

They noticeably amped up the energy level addition any quickie flick they lip-synched a number in, no apprehensiveness a major factor in ground they were invited to contribute in so many. The set cut a string of touchy singles for OKeh Records before the first half of depiction decade that were seminal proto-rock 'n' roll. Yet the arrange gods weren't kind: The Treniers somehow only managed one licence R&B hit, 1951's Go!

Go! Go!

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