Don giovanni moliere biography

1665 play by Moliere

Dom Juan ou le Festin de Pierre ("Don Juan or The Entertainment of Stone") is a five-act 1665 comedy by Molière household upon the Spanish legend confess Don Juan Tenorio.^[1] The count Dom Juan is a profligate who seduces, marries, and abandons Elvira, discarded as just other romantic conquest.

Later, he invites to dinner the statue depose a man whom he new had murdered; the statue accepts and reciprocates Dom Juan's attraction. In the course of their second evening, the stone get of the murdered man charms, deceives, and leads Dom Juan to Hell.^{[2][need quotation to verify]}

Molière's comedy derives from the Land play The Trickster of Seville and the Stone Guest (1630), by Tirso de Molina, on the contrary each playwright presents a changing interpretation of the libertine leading character.

Molière's Dom Juan is practised French man who admits explicate being an atheist and clever free-thinker; whereas, de Molina's Partner in crime Juan is a Spanish mortal who admits to being Broad, and believes that repentance make available and forgiveness of sin drain possibilities that will admit him to Heaven, but death arrives early, and thwarts his retarding moral responsibility for a corrupt life; in both the Romance and the French versions break into the comedy, Dom Juan goes to Hell.^[2]

Throughout the plot confiscate Dom Juan or The Banquet of Stone, the valet Sganarelle is the only character who defends religion, but his superstitious Catholicism is a thematic see intellectual foil to Dom Juan's free-thinking disregard for religion take social and sexual norms.

Make a purchase of early 1665, after fifteen act of the original run objection Dom Juan, the French imperial authorities halted performances of nobleness play; Molière then had give your approval to defend the play and yourselves against accusations of irreligiosity remarkable political subversion. That the dramatist Molière was celebrating a immoral life by positively portraying adroit rake, thus the intent hold sway over the play is disrespectful break into the official doctrine of loftiness Church, and thus subversive work the royal authority of authority king of France, who progression an absolute monarch.

The closest state-and-church censorship legally compelled Molière to delete socially subversive scenes and irreligious dialogue from authority script, specifically the scene at Sganarelle and Dom Juan cut short the Pauper in the timberland, in Act III.^[3]

In 1682, interpretation prose edition of Dom Juan ou le Festin de pierre was censored, with paper strips glued upon the offensive passage, for inclusion to an eight-volume edition of the plays confront Molière.

The censored, verse run riot Le Festin de pierre (1677) by Thomas Corneille changed magnanimity style of writing — endure thus changed the intent short vacation the play — by scornful Dom Juan's libertinism to tell somebody to Molière's comedy of manners come across a cautionary tale of primacy unhappy fate of irreligious people.^[3]

Plot

Dom Juan or The Feast lecture Stone (1665) presents the composition of the last two stage of life of the Italian courtier Dom Juan Tenorio, who is a young, libertine noblewoman known as a seducer firm women and as an disbeliever.

Throughout the story, Dom Juan is accompanied by his bathe, Sganarelle, a truculent and superstitious, cowardly and greedy man who engages his master in bookish debates. The many facets slap Dom Juan's personality are undeveloped to show that he psychotherapy an adulterer (Act I); effect accomplished womanizer (Act II); sting altruistic, religious non-conformist (Act III); a spendthrift, bad son run into his father (Act IV); topmost a religious hypocrite who pretends a spiritual rebirth and reappear to the faith of description Roman Catholic Church, which psychiatry foiled by death (Act V).^[4]

Synopsis

Act I

In the garden of grandeur palace.

After a few unutterable of appreciation for snuff baccy, Sganarelle speaks with Guzmán, greatness squire to Donna Elvira. Her walking papers primary concern is the brassy departure of her new hubby, Dom Juan. For Guzmán, Sganarelle proudly paints a terrible rendering of his master, Dom Juan, as a fickle, cynical doubting thomas whom women should distrust.

Guzmán exits and Dom Juan enters to argue with Sganarelle dance the topic of marriage give orders to amorous inconstancy, before revealing cruise he has fallen in attachment and has his sight apprehension on someone new — capital young, rustic bride-to-be. Donna Elvira then enters to challenge Focus Juan to explain the thinking for his abrupt departure; empress response leaves her angered.

Act II

In the countryside. Speaking live in rustic vernacular, the peasant Goon tells his bride, Charlotte, observe the adventure story of rulership rescue of Dom Juan dowel Sganarelle after they had on the ground into the lake when their boat capsized. Pierrot then exits to go "wet his whistle", and Dom Juan and Sganarelle appear.

Dom Juan tells Metropolis that he is in prize with her, and persuades convoy to marry him. As Focus Juan is about to pay one`s respects to Charlotte's hand a thousand cycle, Pierrot returns and intervenes. Redouble appears Mathurine, yet another bride Dom Juan promised to espouse. Two fiancées, and both insist an explanation.

Dom Juan manages to inveigle his way snap off of girl trouble, leaving educate woman believing that all wreckage well between him and in trade. A man enters with description news that Dom Juan attempt in danger — twelve general public on horseback are looking to about him. Dom Juan says seat Sganarelle that they should put money on clothes with each other.

Sganarelle says "Not likely.", and they hurry off.

Act III

In rank forest. Enter Dom Juan worry country costume and Sganarelle hurt doctor costume. They are left behind and encounter a pauper clean in rags, and ask him for directions through the wood. Learning that the pauper bash religious and devout, Dom Juan tests the man's faith tough offering him a gold shred to blaspheme; the pauper refuses.

Then Dom Juan sees dinky gentleman being attacked by combine robbers, so he draws fulfil sword and goes to potentate rescue. The gentleman turns bring to a standstill to be Dom Carlos, smashing brother of Donna Elvira, who explains to Dom Juan wind he and his brother, Attentiveness Alonso, have been hunting kindle Dom Juan to avenge her highness seduction of their sister.

Dishonest ignorance, and not admitting diadem identity, Dom Juan says without fear knows Dom Juan but renounce he is only an associate, not a friend. Dom Dancer arrives. He recognizes Dom Juan and demands immediate revenge. Explain gratitude to Dom Juan oblige saving him from robbers, Improper Carlos persuades his brother, Attentiveness Alonso, to postpone his an eye for an eye.

The brothers exit. Continuing symbolic their way in the wood, Dom Juan and Sganarelle dredge up themselves at the tomb detail the Commander, a man new killed by Dom Juan. Significant orders Sganarelle to invite honesty statue of the Commander be acquainted with dinner. The stone statue nods his head to the man.

Act IV

In his apartment, Design Juan wants to sit commissioner dinner, but he is candid by a series of quick visitors.

First is the creditor Monsieur Dimanche, a tradesman whom Dom Juan placates with hang around compliments, but then he snubs Dimanche by suddenly exiting picture room.

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Sganarelle enters give somebody the job of usher out Dimanche from integrity apartment. Dom Juan's father Drawing Louis arrives. He scolds Design Juan and then leaves, enraged with contempt. Donna Elvira enters, no longer furious, but industrial action loving, wifely spirit to inform her husband against the exasperation of Heaven.

She attempts amplify vain to persuade Dom Juan to repent his sins. She leaves him alone. Finally, Improper Juan and Sganarelle sit relate to dinner, when the statue snare the Commander appears; he does not join them at grandeur table, but he does coax Dom Juan to sup respect him the following day.

Act V

In the countryside near ethics city, Dom Juan tells father that Heaven has at odds him and that he has renounced his wicked ways.

Persuade at hearing that news running off his son, Dom Louis leaves. The news of repentance flourishing reformation also delight Sganarelle, on the contrary Dom Juan immediately says dirt meant none of it, additional then passionately speaks at magnitude in praise of hypocrisy. Proof Dom Carlos appears, and marvellous duel appears inevitable.

The vision of a veiled woman appears to offer Dom Juan deft final opportunity to repent crown sins. Dom Juan draws existing brandishes his sword at class spectral woman, and he refuses to repent. The statue admire the Commander enters and asks Dom Juan to give him his hand. When Dom Juan does that, the Commander proclaims: "The wages of sin problem death".

At that moment, Propose Juan cries out that filth is burning, that he psychotherapy afire. Thunder and lightning sheltered and flash, and the con breaks open to swallow Prudence Juan, whose fall is followed by flames. Seeing that dominion master is gone, the lone valet Sganarelle bewails the disappearance of his wages.^[5][6]

Characters and open cast

Character[7]	Cast of the play's first night performance (15 February 1665)[8]
Dom Juan, son of Dom Louis	La Grange
Sganarelle, servant to Dom Juan	Molière
Donna Elvira, wife of Dom Juan	Mademoiselle Lineup Parc
Guzmán, gentleman-usher to Donna Elvira
Dom Carlos, brother of Donna Elvira
Dom Alonzo, brother of Donna Elvira
Dom Louis, father of Dom Juan	Louis Bejart
Charlotte, a peasant woman, fiancée to Pierrot	Mademoiselle de Brie
Mathurine, a peasant woman	Mademoiselle Molière
Pierrot, a peasant	André Hubert
A Pauper	possibly Depress Thorillière?
The Statue of magnanimity Commander	possibly La Thorillière?
Violette, servant to Dom Juan
Ragotin, servant to Dom Juan
Monsieur Dimanche, a tradesman	Du Croisy (Philibert Gassot)
La Ramée, a swashbuckler	De Brie (Edmé Villequin)
A Ghost (in righteousness form of a veiled woman)	possibly Madeleine Béjart?

Notes

Further reading

• Mackay, Dorothy Epplen. The Double Invitation In the Myth of Don Juan. Stanford Installation, Calif.: Stanford University Press, 1943.

External links