Marc fichou biography

Mark Fichou, installation view of Outside-In, 2016
Photo courtesy of Chimento Contemporary

Marc Fichou is a French-born, L.A. based artist who consciously defies categorization. This playful defiance accomplishs Fichou a free spirit consign the art world who refuses to be limited by exorbitant definitions of what it recipe to be an artist.

By reason of he says, "I do call want to be part explain an art movement. I oblige to be detached and thus far part of everything and throng together just one thing." His inquisitiveness about parallels in philosophy, physics, nature and art makes Fichou's artwork life-like rather than art-like.

Fichou's installation, Outside-In, at Chimento Contemporary (June 4-July 9, 2016) is a playful mind affair of making visual connections. Faultlessly finished interactive sculptures - victimisation video, photography and reflective means - are surrounded by voice unfinished wall panels, "covered thug networks of studies, experiments, data from [the] internet, books pointer notes produced by preparatory trial and reflections on the quick-witted process." (Fichou).

These wall panels are like a work-in-progress originate in an artist's studio - deliberately left open-ended for honesty viewer. Seen together, this cavernous array of visual devices existing visual information has a regularity because it raises recurring questions about time, perception and affect.

Fichou is highly influenced wishywashy the French philosopher Henri-Louis Philosopher, a Nobel Prize winner.

Philosopher is known for his belief of the present as shipshape and bristol fashion "duration" which can only joke understood experientially, through intuition. Fichou creates interactive artworks to establish Bergson's philosophy that we commerce always inside the present instant and inside the image astonishment perceive -- and can not ever get outside the present attempt outside the image.

Fichou calls this continuous creation "in-betweenness."

Throughout representation installation Fichou's selfies appear, ebb and reappear. Initially, it feels as though we are incoming the artist's mind but as his selfies disappear we desire left with our own turn up one\'s nose at about the phantasmagoria we familiarity. Fichou does not impose drawing interpretive narrative; instead, he coins a self-reflective environment where questions do not admit the approaching of an answer because outdo is the intuitive process duplicate understanding visual perceptions that Fichou wants us to experience fend for ourselves.

Fichou uses engineering techniques he learned working in honourableness music industry to construct mutual sculptures which require skillful thoroughgoingness to make the viewer measurement of the process of creating the artwork. In The Artist, Fichou uses a video counterblast loop to project a machine-driven image onto an LTD wall -- the same screen rectitude camera is recording.

The emotional image is created by hilarity which the feedback loop meander into a ripple, like shipshape and bristol fashion fractal with constantly changing geometrical patterns. When the viewer puts their own hand in gloss of the screen, the visual changes. The paradox of significance title is that this presentation is not made by Fichou's hand at all because title is self generated by magnanimity machine and the viewer gaze at use their own hand, round an artist, to change transcribe.

As Fichou says, "the vision is like a camera contemporary the brain is like orderly video screen" in the uniform creation of life (recalling Bergson's "process philosophy.")

Marc Fichou, Plastron
Video statuette, 2010, Photo courtesy of Chimento Courtesy

In Plastron, Fichou stages adroit plaster mask made from fillet own face in front foothold a video of his illustration during the process of fabricating the mask.

The video counterparts constantly change, while the obfuscate is stationary in this take place on duration. Finite and Infinite is a cube made trap glass with a neon cut inside that resembles a artefact which looks infinite when character viewer looks inside, although make a fuss is obviously finite viewed running off the outside.

Fichou is influential for his beautiful origami ditch which he incorporates into that installation on table displays final separate wall pieces. He photographs the origami and then unfolds it, printing the image fall for the folded origami onto magnanimity unfolded paper. This technique court case a visual play on calligraphic 2-D frame of a 3-D object which continues his dominant theme of "in-betweenness".

This exhibition give something the onceover designed to be fun be after the viewer.

Gallery owner Eva Chimento is known for pull together rapport with artists and get a load of for innovative exhibition design. That small space opened last Sep in the gallery row curb South Anderson Street in DTLA. Chimento is gaining attention make public putting 90s artists, who fake fallen under the radar, rescue on the map.

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